Eschewing the flamboyant (critics said “grotesque and overindulgent”) designs of the previous decade, the new couturier at the fashion house picked up his scissors and set to work. He had chosen a heavy material and was mulling over words: sackcloth? Too pious. Workwear? Blandly utilitarian. He sighed and snipped – and snipped until a small, minimalist dress was made. In at the waist (tight at the belt) and accentuating the bust, he thought. But not one of his models would wear it. All they saw was snippets of cloth lying across the floor – and the dress, a tiny, useless remnant of fabric.