100-Word Fiction: ‘A Week in Pictures’

He stands in the empty doorway of his roofless house. Inside is only landfill.

The storm has passed.

*

They drive the sheep up to the mountains where they graze through the summer.

The blizzard continues.

*

They came to the streets to protest about land reforms and were met by police.

The water cannons flattened them to the dirt.

*

The pelicans land on the wooden platform and wait for the fishermen.

The fish are thrown into the sky, under the razor sun.

*

He dangles above the craters; a scientist confronted with mystery.

He hangs from a rope above ice and snow.

100-Word Fiction: ‘The Daffodil Girl’

She is the daffodil girl with the golden hair. She is here in the spring, telling us to slip off our winter coats. She is warmth and smiles, turning her face to the sun and the coming summer. She brings tales of childhood and hopes for the year ahead. I sometimes think the garden grows for her, because of her, in need of her. If in autumn she is nowhere, remember she’ll be back – glimpses of her come like a miracle even in the ice of January. She is always there; beneath the seasons she is constant. She is life.

100-Word Fiction: ‘After the tide’

People say it’s the smell you try to hold on to. The smell of a person. Clothes. Blankets. Cushions. After they’ve gone. Of course this is true. I’ve lived through it. What’s less noted is the way voices come and go. The first time I realised I could no longer wholly recall your voice, after a couple of years or so, it was terrifying. I felt ashamed. To only have this faint echo of something. And then it came back strong. Sometime later. Suddenly. You were there. We spoke. And then you went again.

You come in waves, tidal remembrances.

100-Word Fiction: ‘Night Shifts’

Dreaming of Cairo, so I thought, and I was on some concrete balcony at the edge of the desert, with the city in the distance, illuminated by explosions – and the death-rattle of guns and screaming missiles echoed across the void between me and… them.

I peered harder and saw that the explosions were fireworks, lighting up the sky with their crackle and kaleidoscope wonder. And the city was maybe Romford, somewhere not quite London.

I woke up. It was still night. Deeply so. A blackbird was singing. It sounded so frail and confused, so beautiful, and so full of dread.

100-Word Fiction: ‘The Gyre’

I looked at the silver mud along the banks of the river. A month ago it was filled with birds. You could see them scurrying even at night. Now they have gone. The seasons are changing and the mud is becoming bare. The gulls’ heads are taking on their summer colour. It’s as if the dunlins never happened. But they will be back. All of life succumbs to the gyre. Once we accept it, we can begin to make predictions, begin to understand the pleasures and the horrors that are as yet out of sight.

The guns were silenced yesterday.

100-Word Fiction: ‘Darja [4]’

Get the fucking stretcher –––– here now! Get it here! Blood is pouring from –––– left of the child’s leg. Med-tent is 200 metres and watch the air – the shrapnel – it is so full. A glance, quickly, buildings at street end are rubble. Patches of street have turned red. Six bodies – rough count – in the road. Where is it? Run! Run! Yes, yes, on her brow, there, there. Go. Breathing –––– breathing –––– breathing –––– breathing –––– Doctors, doctors, off, off the stretcher, now go! Another explosion, nearer explosion and run run for the second. Is she? Is she live? Okay! Your name is? Darja, Darja.

100-Word Fiction: ‘Yulia [3]’

She confirmed that the meeting lasted for more than three hours. At these times pastries and coffee are merely decorative. Neither party stoops to accept a fix of sugar or caffeine. After the smiles and handshakes it is the tiniest details that count. The way one of them tilts their head towards an unnecessary interpreter; the merest upturn of one corner of one mouth. They try not to blink, try not even to avert from their focused stares. Water is refreshed and refreshed again. The summit builds understanding but not trust. Nothing is lost, but there is nowhere to run.

100-Word Fiction: ‘Polina [2]’

Picks up a coffee, checks her Facebook at her desk and feels angry. Sits through two hour+ meetings. Emails Robin. Looks through the glass at the boys on the floor becoming animated, arms waving, pointing, voices raised. Now, now, they seem to be saying. It is to do with Russia. Before lunch the office empties. The boys go to the gym and then to restaurants and bars. Polly eats salad and watches a comedy. It is the same as pre-crash, she thinks, except everyone is more stressed, more suspicious, more aware that they might need to get away, soon, fast.

100-Word Fiction: ‘Oksana [1]’

Watches the joggers run past the flats as she towels her hair dry. Hums along to the radio and eats toast, drinks orange juice. Waits at the bus stop where all the men cough into the cold wet street. Stares at the passing shops, swaying as the bus jerks. Walks up past the park and hangs her coat in the back of the café and begins work. In her mind, her cousin – blankets across her shoulders, running through the streets and tugging little Darja along and squeezing into the minibus, fleeing from the tanks rumbling on the horizon. It hurts.

100-Word Fiction: ‘Sequences’

First it was what was written.

She will not look, she will not look. And get out of this city but once and for all. Yet where, where?

Then it was what was done in response.

Fleeing from the people who are everywhere, into their arms, out from their arms, delivered, how, how?

Then came the social divisions.

And where are her family now? Her colleagues? Cohabitants?

And then the dawning of night.

She realises her predictions are wrong, the enemy is not the enemy, she is entrapped. The mess they have made of this land.

It is not over.